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...supported by American film makers in their presentation of the ideal of war. Engelhardt readily recognized that one of the greatest social phenomena regarding war is that the winners benefited from gaining the "right" to engineer the way in which war stories are promoted (17). Prior to the end of World War II, filmmakers continually displayed the rigorous defense of the United States through generic depiction (41). It has long been recognized that military action could be supported as a means of self-defense and that this action should be displayed (38). During this time, the media, specifically filmmakers, made a concerted effort to support the American war story through their depiction of American soldiers. Though soldiers were brave and strong, they also suffered greatly from the pain inflicted by almost faceless enemies, and this drew a definitively sympathetic response (45). From a national perspective, the American soldier represented both hero and victim. After the end of World War II, this perception became more prevalent. The World War II war...